Pixel, lógica e interacción desde el Movimiento Moderno

This is a research project framed in a doctoral thesis on design. Assuming the design project as a discipline with full conceptual autonomy, it is proposed a development with graphic and computer productions that coherently communicate the concepts treated. It consists of a graphic nucleus of scheme...

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Detalles Bibliográficos
Autor principal: Echagüe, Leonard
Otros Autores: Breyer, Gastón
Formato: info:eu-repo/semantics/doctoralThesis
Lenguaje:español
Publicado: Universidad de Buenos Aires. Facultad de Arquitectura, Diseño y Urbanismo 2007
Materias:
Acceso en línea:http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=aaqtesis&cl=CL1&d=HWA_5691
https://repositoriouba.sisbi.uba.ar/gsdl/collect/aaqtesis/index/assoc/HWA_5691.dir/5691.PDF
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Descripción
Sumario:This is a research project framed in a doctoral thesis on design. Assuming the design project as a discipline with full conceptual autonomy, it is proposed a development with graphic and computer productions that coherently communicate the concepts treated. It consists of a graphic nucleus of schemes, diagrams and images, and an object nucleus with more than 50 interactive computer-visual programs, for the transmission and illustration of the concepts dealt with in the thesis. In the development of the thesis, the works of Tomás Maldonado in the artistic, critical-artistic and critical-computer science fields are reciprocally linked in order to find technical ways of coherently expressing his ideas in them. The thesis work starts with an initial exploration of the expressive technical field, arriving at the specification of a main diagram of design operations, and then presenting some applications of the concepts discussed.