Cinema Workshop : lens equivalents /

The videola V-1000 Film-to-tape transfer system

Angenieux introduces new lenses

Arriflex at Photokina'80

The latest from steenbeck

The new Leonetti-Wilcam Ultracam-35 camera

The new Aaton 8-35 35 mm camera

The new moviecam

The new feathercam cm35 camera

Cinema Workshop : video lenses /
por: Wilson, Anton

The new Technoflex camera

The new coke Super-16 Varo Kinetal zoom lens

Filming a Wedding Royalty /
por: Samuelson, David

The new CP-16R/A and CP-16R/A reflex TV newsfilm documentary camera system, plus unique PLC-4 magazine make joint debut

GSMO camera soon to be available

The EMP (Envelope: Minimum Possible) 16 MM camera

The new Arriflex 16 HSR high-speed camera

SMPTE equipment exhibit Arriflex 16SR camera since Photokina 1972

The "new generation" GSMO 16 mm camera /
por: Di Giulio, Edmund

Arte y técnica del cine amateur
por: Boyer, Pierre
Publicado: (1952)

Cinema Workshop : lens perspective /
por: Wilson, Anton

Filming under a rain of fire for "Days of destruction" /
por: Long, Asgeir

Cinema Workshop : back focus II /
por: Wilson, Anton

P.A.G. modulor sound dubbing system

Perfectone continuous motion High-speed projector "Comitor 16 HS"

Why shot in Super-16 /
por: Ericson, Rune

Filming the atomic graveyard /
por: Frehsee, Rick

The rigors of Zion-Treausure of the Golds /
por: Davenport, Richard J.

Filming wild life around the world /
por: Bayer, Wolfgang

Underwather photography for "Deadly fathoms" /
por: Mounier, Bruce

ABC's wide world of sports uses new Kodak 7247 16 mm color negative for the first time /
por: Lightman, Herb A.

New products /
por: Rhea, Marji

Neilson Hordell Junior animation stand

The new magnasync/moviola 16 mm portable console editor

Cinema Workshop : battery life /
por: Wilson, Anton

Cinema workshop : battery memory /
por: Wilson, Anton

Cinema Workshop : battery capacity /
por: Wilson, Anton