The filming of "Angelo my love" /

The under fire filming of "No go!" in Northern Ireland

The "new generation" GSMO 16 mm camera /
por: Di Giulio, Edmund

The new coke Super-16 Varo Kinetal zoom lens

How "No go!" was filmed /
por: Chase, Richard

Arriflex at Photokina'80

The videola V-1000 Film-to-tape transfer system

The latest from steenbeck

Why shot in Super-16 /
por: Ericson, Rune

Filming a Wedding Royalty /
por: Samuelson, David

Arte y técnica del cine amateur
por: Boyer, Pierre
Publicado: (1952)

The new Leonetti-Wilcam Ultracam-35 camera

The new Aaton 8-35 35 mm camera

The new moviecam

The new feathercam cm35 camera

The new Technoflex camera

The cine 8 hi-speed/pulse super 8 camera model SP-1

The new CP-16R/A and CP-16R/A reflex TV newsfilm documentary camera system, plus unique PLC-4 magazine make joint debut

GSMO camera soon to be available

The EMP (Envelope: Minimum Possible) 16 MM camera

The new Arriflex 16 HSR high-speed camera

Two years experience with color negative film transmission

Filming under a rain of fire for "Days of destruction" /
por: Long, Asgeir

Filming the atomic graveyard /
por: Frehsee, Rick

Kodak introduces Super 8 single-system sound camera and other proffesional Super 8 products

Baver S 715 XL microcomputer Super-8 sound camera

Proffessional Super-8 at Photokina 1980 /
por: Wise, Lewis B.

The filming of "Deep south, deep north" /
por: Hudson, David

The rigors of Zion-Treausure of the Golds /
por: Davenport, Richard J.

SMPTE equipment exhibit Arriflex 16SR camera since Photokina 1972

ABC's wide world of sports uses new Kodak 7247 16 mm color negative for the first time /
por: Lightman, Herb A.

Angenieux introduces new lenses

Filming wild life around the world /
por: Bayer, Wolfgang

EGO, EF and Color negative what's the difference /
por: Hampe, Barry

16 mm film production in United Kingdom independent Television

Les pulsations de mon coeur : entretien avec Alain Cavalier /
por: Limosin, Jean Pierre

P.A.G. modulor sound dubbing system