Why shot in Super-16 /
| Autor principal: | Ericson, Rune |
|---|---|
| Formato: | Artículo |
| Lenguaje: | Espa�ol |
| Materias: | |
| Etiquetas: |
Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
Ejemplares similares
The new coke Super-16 Varo Kinetal zoom lens
How would a feature in Super-16 compare with one shot in 35 mm on a theater screen? /
por: Ypung, Irwing
por: Ypung, Irwing
The "new generation" GSMO 16 mm camera /
por: Di Giulio, Edmund
por: Di Giulio, Edmund
Shooting 16 mm for blow up to 35 mm film
Proffessional Super-8 at Photokina 1980 /
por: Wise, Lewis B.
por: Wise, Lewis B.
Kodak introduces Super 8 single-system sound camera and other proffesional Super 8 products
The filming of "Angelo my love" /
por: Bogre, Michelle
por: Bogre, Michelle
The cine 8 hi-speed/pulse super 8 camera model SP-1
Baver S 715 XL microcomputer Super-8 sound camera
The EMP (Envelope: Minimum Possible) 16 MM camera
The new Arriflex 16 HSR high-speed camera
How "No go!" was filmed /
por: Chase, Richard
por: Chase, Richard
The new CP-16R/A and CP-16R/A reflex TV newsfilm documentary camera system, plus unique PLC-4 magazine make joint debut
Professional Super 8 at Photokina '78 /
por: Hoos, Gunther G.
por: Hoos, Gunther G.
The under fire filming of "No go!" in Northern Ireland
Filming under a rain of fire for "Days of destruction" /
por: Long, Asgeir
por: Long, Asgeir
SMPTE equipment exhibit Arriflex 16SR camera since Photokina 1972
ABC's wide world of sports uses new Kodak 7247 16 mm color negative for the first time /
por: Lightman, Herb A.
por: Lightman, Herb A.
GSMO camera soon to be available
Talking technically : shooting 16 mm for 35 mm /
por: Samuelson, David
por: Samuelson, David
Filming the atomic graveyard /
por: Frehsee, Rick
por: Frehsee, Rick
Angenieux introduces new lenses
Underwather photography for "Deadly fathoms" /
por: Mounier, Bruce
por: Mounier, Bruce
Perfectone continuous motion High-speed projector "Comitor 16 HS"
Cinema Workshop : lens equivalents /
por: Wilson, Anton
por: Wilson, Anton
Filming wild life around the world /
por: Bayer, Wolfgang
por: Bayer, Wolfgang
16 mm film production in United Kingdom independent Television
The technique of editing 16 mm. films
por: Burder, John
Publicado: (1971)
por: Burder, John
Publicado: (1971)
The new magnasync/moviola 16 mm portable console editor
Arriflex at Photokina'80
EGO, EF and Color negative what's the difference /
por: Hampe, Barry
por: Hampe, Barry
P.A.G. modulor sound dubbing system
Ejemplares similares
- The new coke Super-16 Varo Kinetal zoom lens
-
How would a feature in Super-16 compare with one shot in 35 mm on a theater screen? /
por: Ypung, Irwing -
The "new generation" GSMO 16 mm camera /
por: Di Giulio, Edmund - Shooting 16 mm for blow up to 35 mm film
-
Proffessional Super-8 at Photokina 1980 /
por: Wise, Lewis B.