How "No go!" was filmed /

Shooting 16 mm for blow up to 35 mm film

The filming of "Angelo my love" /
por: Bogre, Michelle

How would a feature in Super-16 compare with one shot in 35 mm on a theater screen? /
por: Ypung, Irwing

Underwather photography for "Deadly fathoms" /
por: Mounier, Bruce

Why shot in Super-16 /
por: Ericson, Rune

The "new generation" GSMO 16 mm camera /
por: Di Giulio, Edmund

The new coke Super-16 Varo Kinetal zoom lens

Filming the atomic graveyard /
por: Frehsee, Rick

Two years experience with color negative film transmission

The filming of "Flight" /
por: LLoyd, Harvey

Filming "Garden isle" in the world's largest film format /
por: Tilton, Roger

Arte y técnica del cine amateur
por: Boyer, Pierre
Publicado: (1952)

The filming of "Threshold" the blue Angels experience /
por: Marlow, Paul

Filming a Wedding Royalty /
por: Samuelson, David

"Legacy of the stars" : and how it was filmed /
por: Gunselmann, John

"Challenger" : anatomy of an award winning documentary /
por: Bogre, Michelle

The technique of editing 16 mm. films
por: Burder, John
Publicado: (1971)

The videola V-1000 Film-to-tape transfer system

Talking technically : shooting 16 mm for 35 mm /
por: Samuelson, David

Atlanta Film Festival Award : "let the good time roll" /
por: Harris, Winifred

ABC's wide world of sports uses new Kodak 7247 16 mm color negative for the first time /
por: Lightman, Herb A.

Creating "an american adventure" in the IMAX format

Filming the pro ski races at the steamboast springs for ABC's wide world of sports /
por: Wilcox, John

Des exercices profitables /
por: Toulza, Pierre Olivier

The cine 8 hi-speed/pulse super 8 camera model SP-1

Filming "Deadly fathoms" /
por: Harris, Michael

P.A.G. modulor sound dubbing system

Perfectone continuous motion High-speed projector "Comitor 16 HS"

The filming of "The higher we fly" /
por: Stouffer, Mark

The latest from steenbeck

Kodak introduces Super 8 single-system sound camera and other proffesional Super 8 products

Baver S 715 XL microcomputer Super-8 sound camera

Proffessional Super-8 at Photokina 1980 /
por: Wise, Lewis B.

La libération des éléments : Jean Claude Rousseau et La Vallée close /
por: Burdeau, Emmanuel

EGO, EF and Color negative what's the difference /
por: Hampe, Barry

The Aire Force filming of "Assault on Mount McKinley" /
por: Dietel, Ronald J.