Ultimattes' CineFusion keeps compositing on cutting edge /

Classic techniques enhance "The Journey Inside" /
por: Heuring, David

Generación electrónica de imágenes : animación convencional, animación controlada por ordenador, procesos ópticos y de edición
por: Levitan, Eli L.
Publicado: (1980)

Special venue production burgeoning

Memoirs of a digital man, or, inside ILM /
por: Dooley, Michael

Star Wars episode 1 : les effets fantômes /
por: Hamus, Réjane

CGI a shoestring budget /
por: Robley, Les Paul

Composite optical photography for "Star Wars: The empire strikes back" /
por: Nicholson, Bruce

New products

After Jurassic Park, traditional techniques may become fossils /
por: Magid, Ron

ILM's digital dinosaurs tear up effects jungle /
por: Magid, Ron

Production slate /
por: Pizzello, Stephen

The technique of special effects in television
por: Wilkie, Bernard
Publicado: (1993)

ILM meets "The Flintstones" /
por: Magid, Ron

Creating special visual effects for "Altered states" /
por: Fenen, Bran

Le casque dort /
por: Beau, Frank

Putting special effects in live action /
por: Wexler, Barbara

Perrier ad employs latest whistles and bells /
por: Magid, Ron

ILM employs old-fashioned ingenuity for Fire in the sky /
por: Magid, Ron

Terabyss takes audience on suboceanic thrill mission /
por: Turner, George

Riding the movies with Doug Trumbull /
por: Pizzello, Chris

Cliffhanger first unit's plates were full /
por: Perisic, Zoran

Exploring the future of special effects : effects gurus weigh CGI's potential against /
por: Magid, Ron

Digital domain provides rocket fuel for "Apollo 13" /
por: Magid, Ron

Chronique d'une mutation annoncée /
por: Beau, Frank

Imagina : encuentros virtuales /
por: Compagnucci, Beto

Optical magic for "The muppet movie" /
por: Westheimer, Joseph

Flying with Superman /
por: Perisic, Zoran

Modern techniques of optical trick cinematography /
por: Field, Roy

Building unique specials effects for "Xanadu" /
por: Greenberg, Robert

Astérix ou l'image numérix /
por: Hamus, Réjane

"The Flintstones" call on Jim Henson's creature shop /
por: Magid, Ron

Creating the special effects for "Westworld" /
por: Whitney, John

Creating mechanical models and miniatures for "The spy who loved me" /
por: Meddings, Derek

"For your eyes only" and its special effects /
por: Meddings, Derek

Of miniatures and mayhem /
por: Wilson, Paul

CGI on a shoestring budget, part III /
por: Robley, Les Paul