http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
the graphic design of Jonathan Barnbrook
I. Introduction / Jonathan Barnbrook -- II. Design's aburd hero / Alice Twenlow -- III. Student work: early collages -- IV. Student work: steppenwolf -- V. Student work: machine-generated stone carving -- VI. Student work: Royal College of Art graduation certificates -- VII. Bastard font -- VIII. Prototype font -- IX. Gulf War I + Illustration now -- X. Exocet font -- XI. Dancing in the the face of the apocalypse / Teal Triggs -- XII. Apocalypso: pictogram font for the end of the world -- XIII. Manson font -- XIV. I want to spend and spend... / Emily King -- XV. I want to spend the rest of my life everywhere, with everyone, one to one, always, forever, now -- XVI. Pharmacy restaurant bar -- XVII. Theories, models, methods, approaches, asumptions, results and findings -- XVIII. Film work -- XIX. Virus foundry -- XX. Beams -- XXI. Kohkoku magazine -- XXII. A chronology of other virus fonts , so far not explained in this publication -- XXIII. Olympukes: real pictogram font the Olympics -- XXIV. Priori font -- XXV. Inoui ID -- XXVI. Unknown Public -- XXVII. Corporate identity for Roppongi Hills, the largets post-war development in Tokyo -- XXVIII. Corporate identity for Mori Arts Center, a cultural educational and comercial institution located at the top of Roppongi Hills Tower -- XXIX. Associated corporate material for Mori Art Museum. A new international contemporary art museum -- XXX. Designing without dead time / Kalle Lasn -- XXXI. Adbusters collaborations -- XXXII. Anti-Corporate & political works -- XXXIII. George W. Bush visits London -- XXXIV. Art Grandeur Nature -- XXXV. Building the brand: North Korea -- XXXVIII. A day of forgetting -- XXXVI. Image credits.
with contributions by Kalle Lasn... [et al.] ; and three paragraphs by David Bowie