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|a spa
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|c es
|2 ISO3166-1
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| 100 |
1 |
|
|a Andrew, J. Dudley
|
| 245 |
1 |
4 |
|a Las principales teorías cinematográficas
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| 260 |
|
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|a Barcelona :
|b G. Gili,
|c 1978
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| 300 |
|
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|a 274 p. :
|b il., fot.
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| 490 |
|
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|a Punto y línea
|
| 500 |
|
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|a Tít. orig.: The major film theories.
|
| 500 |
|
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|a Versión castellana: Homero Alsina Thevenet.
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| 500 |
|
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|a Revisión general: Joaquim Romaguera i Ramió.
|
| 504 |
|
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|a Bibliografía: p. 255-268.
|
| 500 |
|
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|a Notas: p. 245-253.
|
| 653 |
|
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|a SEMIOLOGIA
|
| 653 |
|
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|a MONTAJE
|
| 653 |
|
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|a LENGUAJE
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| 653 |
|
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|a ARTE
|
| 653 |
|
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|a FENOMENOLOGIA
|
| 653 |
|
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|a TEORIA
|
| 653 |
|
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|a CINE
|
| 653 |
|
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|a EISENSTEIN, SERGEI
|
| 653 |
|
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|a MITRY, JEAN
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| 653 |
|
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|a KRACAUER, SIEGFRIED
|
| 653 |
|
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|a BAZIN, ANDRE
|
| 653 |
|
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|a AGEL, HENRI
|
| 653 |
|
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|a BALAZS, BELA
|
| 653 |
|
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|a ARNHEIM, RUDOLF
|
| 655 |
|
|
|a TEXTO
|
| 852 |
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|c 133-3
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|a Ej. No1 : 15332 . 7/8/1980 -- compra Atlántida -- (19200 pesos).
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